Subscribe to our mailing list to get the new updates! Enter your Email address. Related Articles. Life in Boko Haram territory. Latest News August 20, Optimism at all time high for U. S companies on doing business in Africa-Lida Fitts. Leave a Reply Cancel reply Your email address will not be published. Check Also. Close Search for. T he program of the Kintele complex, its sports facilities, its general buildings, roads and other networks are arranged according to their need for access, visibility and security.
W e wanted to find in this masterplan the evocative shapes of African art. From the oblong shapes for programmatic spaces that reference ancestral masks or tribal shields to the ground work composition that refers to the tradition of African textiles and fabrics, everything in this Master plan calls to mind a small part of Africa.
T he stadium is an object of soft geometry that integrates the volumes of the bleachers, respectful of the Masterplan guidelines and taking into account the circulation guidelines necessary for the functioning of the building. T he playground and running track are the elements from which are generated the rest of the building.
S pectator stands are defined as a continuous ring along the track and surround the playground In the northern sector. A half ring is added to the complex in order to take advantage of the best orientation. T he stadium roof is formed by two shells, one of them larger, to accommodate and protect a greater number of spectators in the most unfavorable direction. T he position of the bleachers adapts continuously around the playground and running track.
T he Stadium envelope is generated by curved paths proposed in the Masterplan, The roof fits the ovoid shape of the stadium and pedestrian paths. I t is through this subtle geometry generated by a single plane dividing two spaces, two typologies that form a project meeting the aesthetic and programmatic expectations and integrating with the Brazzaville Sports Complex Masterplan. A spine generated naturally. S paces required by the program. T he covered area hosting the covered swimming complex, and its symmetrical exterior.
T he inclination given to each end of this axis allows the creation of stands with angles necessary for good vision. T he vertical column of the project is deformed and adapts to public space defined by the meandering paths. The volume generated responds to different programmatic characteristics and the aesthetic coherence of the complex.
I n the configuration as covered exterior soffits, the bleachers generate in -between spaces needed for circulation and programmatic elements of the nautical centre. T he resulting geometry of this development offers a covered space, reminiscent of a shell, enclosed on one side by the inclined veil, generator of the project and the other by a curtain wall overlooking public spaces. The building, like a truncated cone, a true hand-made wooden object, extends its presence through a set of equidistant strings stretched like a harp that generates a both poetic and useful solar control.
A ccesses to this in-between, semi- covered place are created in accordance with the main generators of the master plan. T he resolution of this program is a set of small communities, like small villages, places of life and well-being at a human scale, softly integrated into the proposed landscape of the Masterplan. I n order to reduce the impact of the housings blocks, also to give the module a human scale of a village, the ends of the buildings are kept at the minimum height and rises gradually.
T he result offered by this program is a set of small communities, like small villages, a place for life and well-being on a human scale, integrated into the landscape in the spirit of the proposed masterplan.
F uture modules of the village are generated by the intersection of two arcs forming, as in the rest of the masterplan, an oblong shape reminiscent of a tribal shield.
T hus, two fringes are defined by the generating arcs, defining the residential and public spaces program.
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