As shown in the Sony DSC T90 manual, this camera is very slim and packed a slender battery inside alongside with the memorystick pro. On the bottom of the camera, there is a small tripod screw mount. All the buttons and accoutrements are similarly micro-sized. The zoom rocker is a very sleek switch, and the shutter button is elongated and juts out just above the surface of the top plate. The weight is only gram which means that this camera is light and will be easily slip into your pocket or purse.
This camera is available in six interesting color choices. They are black, silver, grey, golden, pink and tosca blue. A very elegant style camera that packs a lot of features. This camera is announced by Sony in and packs many features. Yet, the focal range of this lens is not as wide as other competitors out there.
The LCD is a large 3-inchs touchscreen with The LCD performs very well, rsponsive and giving you a bright and accurte color. In addition for producing good image, the Sony DSC T90 manual also says that the camera is completed with super steady camera image stabilization. It will help you reduce the possibility of blurry image caused by camera shake. The T90 also boast x pixel HD movie recording with stereo sound and HDMI output so you can watch it on television or your computer.
The T90 performs impressively. It only needs under two seconds from power-on to first shot. Using the front plate as the power-on source increased the time from power-on to first shot to approximately 2. Shutter lag measures just under 0. The touchscreen is very sensitive and sometimes overly sensitive.
The image quality of this camera is nice. The T90 improves a lot upon the pictures other than its predecessor. As it is stated at the beginning of this article, the aim of providing this writing is to bring the Sony DSC T90 Manual. If not quite class leading, it's better than you'll find on an average point and shoot. As with its recent predecessors, present and correct on the T90 is the increasingly ubiquitous ability to shoot High Definition video clips, here in PC friendly MPEG-4 format with use of the optical zoom and the ability to fire off a snap in the middle of filming - though, like the T, it boasts a maximum x pixels video at 30fps as opposed to a full HD x Interestingly, the manufacturer has added intelligent auto scene recognition to its line up of shooting modes, accessed via the left hand onscreen toolbar, working in identical fashion to the intelligent auto modes of Panasonic and Canon compact ranges.
The user points the T90 at a scene or subject and the camera analyses it and automatically chooses one of 11 pre-optimised settings to best suit. Adding to its snapshot simplicity, this feature joins enhanced face recognition and smile shutter functionality on board - the former mode biasing human faces in the frame and the latter mode firing the shutter when it detects a smiling subject.
With the camera looking fashionably understated when inactive, press the teeny, recessed power button on the top plate or slide open the faceplate to reveal the lens and, like its forebears, the Sony Cyber-shot DSC-T90 readies itself for action in a just over a second. The rear LCD bursts into life sound tracked by a musical flourish. The shutter release button has a definite halfway point, determining focus and exposure with a bleep of affirmation, focus points highlighted in green on the LCD.
Go on to take the shot and maximum resolution JPEG images are committed to memory in a couple of seconds, the screen momentarily blanking out and then displaying the captured image before the user can go on to take a second shot. As we've found in the past, with the lens situated to the far top right of the camera's front, when holding its steady with both hands, it's all too easy for the ends of fingertips to dip forward and therefore into shot.
However, once thus 'bitten' you quickly learn to subsequently avoid it. Talking of fingertips, to the right of the shutter release button, if viewed from the back, is a small rocker switch for operating the zoom and alternating between wideangle and telephoto, the raised lip of which is only just large enough to connect with the pad of your digit. The action of the zoom itself is leisurely smooth rather than rapid, gliding unhindered through the focal range in a single, steady motion.
With the T90's degree of design minimalism meaning that is it for the front and top of the camera, moving to the T90's back plate, we find a single playback button top left of the screen. Other than that single physical control, every other operation takes place in the virtual realm, the central portion of the screen displaying the image in ratio on its default setting, while two menu bars with white text or icons on an all-black background frame it on either side - in effect cropping the screen's full ratio.
The view therefore is the same as that provided by the earlier T albeit the screen itself is 3-inches, not 3. This similarity extends to the fact that top of the left hand bar, in regular stills capture mode, is a means of accessing Sony's 'Home' menu with a finger or stylus jab. Press this lightly and the user is instantly provided with an overview of the camera's main functions - shooting, playback, slideshow options, direct printing, 'memory tool' with the ability to format the media in use, copy or create new recording folders plus a composite set up menu.
The latter includes the ability to deactivate the camera's 'bleep' that otherwise sounds at every button press. The screen on the Sony Cyber-shot DSC-T90 is responsive without being overly sensitive and, with use, we didn't find ourselves accidentally selecting the setting next to the one we intended as often as we initially thought we might.
Bottom of the left hand bar is a second virtual button marked Menu. As we've remarked before, we don't know why Sony, unlike every other manufacturer, doesn't combine the functionality offered by Home and Menu. Though it cuts down on endless lists of options, having both is a little confusing. Via menu in program mode we get access to the likes of record mode single or continuous shooing , three separate exposure bracketing options three shots at 0.
Back to the left hand bar, and between the Home and Menu buttons we firstly find a self-explanatory face detection icon, a second for the self-timer, and a third providing access to the various recording mode choices.
Here we get the optimized scene settings, along with intelligent auto, program, easy shooting mode a much pared down display , plus access to shooting video. The movie mode has its very own low light and underwater shooting modes, while moving back to the left hand bar allows the selection of x or lower VGA quality clips. Book-ending these two options are, at the top of the bar, a self-explanatory and useful 'back' button, and at the bottom a display button. Pressing 'Display' provides the choice of the default 'normal' display as described above, a 'simple' version or an image-only option, which as it sounds turns off all the toolbars and buttons apart from display itself.
In display mode users can also call up a live histogram or switch it off, plus adjust LCD brightness. This again is the same as found on the identically priced - and at the time of writing still available - T Staying with the rear screen menus and options, switch to playback mode via the dedicated physical button, and review options are again presented left and right of screen, running top to bottom.
Also useful is the ability to be able to zoom in and scroll around an image to check focus and exposure. Press the shutter button halfway at any point and the user is helpfully catapulted back into capture mode. And that's basically it. With a press of the 'menu' button in playback, users have access to some funky in-camera retouching effects, including the ability to crop or sharpen portions of an image, blur the periphery to add emphasis to the central subject, add a starburst effect or bizarrely, force a smile on formerly sour-faced subjects.
This being the case, touch screen operation is either love it or hate it. Luckily the buttons and icons on the Cyber-shot T90 are just large enough for finger operation with an alternative plastic provided in the box that clips onto the wrist strap. That said the busy array of options around the screen - especially in Program mode - can be rather distracting. The bottom of this slender Sony features the merest of embellishments: a standard screw thread for attaching it to a tripod, alongside which is a narrow flap with lockable catch that protects the shared lithium ion battery and removable media an optional Memory Stick Duo or Pro variety with a hardly worth it 11MB internal memory to fall back on.
Sony claims the battery is good for up to shots from a single charge, an improvement on the paltry shots of the T but still no great shakes, so if you're looking at this as a possible travel companion you'll want to take its charger with you.
But is the Sony Cyber-shot DSC-T90 worthy of making the trip with you -in other words does it perform well in the area that matters most - namely the capture of images? All of the sample images in this Review were taken using the 12 megapixel JPEG setting, which gives an average image size of around 4. Leaving aside the possible issue you may have with stray digits creeping into frame because of the aforementioned position of the lens, and the occasional blurred image due to camera shake, the quality of the shots from the Sony Cyber-shot DSC-T90 were slightly better than we expected from a point and shoot model that puts as much emphasis on fashion as it does features.
Shooting on the default colour setting and with the built-in exposure enhancing dynamic range optimizer likewise set to standard mode, it takes little effort from the user to get acceptable results - as long, of course, you're happy with snapshots. Subdued yet natural looking colours are the order of the day, with a vivid option selectable if you prefer more punch.
Pixel fringing is there if you look closely but it's kept reasonably well under control and the auto scene modes also provide a degree of consistency and reliability, with greens and blues brought to life particularly vividly courtesy of the 'landscape' option. In terms of performance at higher ISO settings, at maximum selectable ISO equivalent images appear as if being viewed through a pane of frosted glass.
So, while not perfect, they are at least comparable to a performance at ISO from a lower end model. Likewise the subtle softening of detail at ISO is comparable to the performance at ISO from a humble snapper.
We did however notice some loss of critical sharpness towards the corners of the frame when shooting at maximum wideangle, and gentle barrel distortion, though the point and shoot brigade at whom the Sony Cyber-shot DSC-T90 is aimed will find this easy to live with, if it's even noticed.
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